Political borders divide territories, but they also reshape landscapes, memory, and everyday life. Fault Line brings together long-term photographic projects made in Korea, Cyprus, and Nagorno-Karabakh, where division has become embedded in both the land and the lives of those who inhabit it.

Across demilitarized zones, abandoned settlements, military barriers, and contested frontiers, the photographs trace the visible and invisible marks left by separation. Rather than focusing only on conflict itself, the work looks at what remains afterward: altered landscapes, interrupted communities, and the fragile traces of histories that continue to shape the present.